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Various Written Works
2005-2008
1. It's Untitled, By The Way
2. One Strip
3. Way
4. A Fading Apostate
5. Your Burden
6. Steel-Stringed
7. Shoreline
8. We Two Cents
9. Laugh Of Silence
10. Why
11. Orange Peel
12. Mirage
It's Untitled, By The Way
Your heart is close to mine; a something unknown yet so divine. You know who you are;
will heart you until forever dies. I am kissing you.
I'm suddenly attacked
...and rather fiercely
by your aura
your eclipse.
the burning contours of your frame.
the thought of tangled legs
and your breath
showering my skin
and seeping through
the pores into
my once insignificant little heart
a beating little chamber
closed in
mummified
yet alive
i learned to embrace
the constant of change
when i rest on your body
my insides rearrange
Letter by letter
your words dance
an entourrage
the tickle of a feather
at the core and seed
of my mind
Your play is unlike any other.
Caress is one thing
Your caress is another
More than once did i shiver
at the waves of your voice
I did once say,
You're not a mirage.
Instead you BURN like the heat of a mirage.
Now i know what that means
pursuader of dreams
you encourage
entice
bring warm colors to my plate
once stone and winded
and nearly cracked in two
You dust my window three times a day by now
everytime i look through
things appear so much clearer
Untouched mirror
Fear did i then
and even still
but by now i learned
what'll happen, will
By Ana Kochero
One Strip
I live on a strip of land
sometimes it feels like Vegas
without the lights,
without the heat
and a surplus of trees.
A valley i live in
a wind to which i give in
fairytales
originate here
the best places on earth
have all forces in one.
waves rustle close,
seasalt stenches the air somtimes.
wavering grains churn in the wind
flying allergies get caught in my nose sometimes
a place where mountains
are the highest heights
not skyscrapers
not electric posts
not lighthouses
but mountains.
i live on a strip of land
on which i walk
back and forth
everyday
fables
started here
the best places on earth
have people revisit
just for the sake
of being there again.
the best places on earth
are smaller than that.
they have both country and town
both jungle and sea
both soil and concrete
both mist and sun
both animal and human
both mom's and industry
both fame and mystery.
happiness
churned here.
nobody has ever complained.
they only quarrelled
and to a limited extent
that left problems white
easy and assured
to disintegrate.
the one strip
between the valley of the mills
the village between the hills.
The square and the alley
of little Mill Valley.
By Ana Kochero
Way
Sins my wrist
and fierce
my eyes
dark my thoughts
and sly
my lies
my trembling hands
that will not
stay
my vagrant heart
goes its own
way
A Fading Apostate
Wherever he went
we saw he was already gone
thinning out his presence
into shadow and enigma
his hands white from gripping
splintered doorways
rubbing rusty bolts
which once held iron locks
like the ones inside his mind
pure dementia bred betrayal
and of course forgot about it
when the sun rose again
he could not see the workings
of his lightless inner city
frayed nerves like stereo wire
dangling and hissing discomfort
his pale lips were often still
and though eyes lie
the flicker of his lashes
told of wild strangeness
a heartbeat set to slow decrease
a ticking suitcase in his ribs
while he stood dumbfounded
muttering about the blinds
and the singing of some choir
down the road too loud he said
not believing in his world
despite the echoes of its passing
and when he took that road
we let his ashes sit
on a table as we feasted
and nobody cried
when we stranded him
inside his urn
for forgetting while we stood
and left unchanged.
By Ana Kochero
Your Burden
I walk the only road i know
with a face molded in concern
cars pass on my side
behind dark and reflecting
glass
i dont see their expressions
just their labels
and their stickers
NO WAR
they tell me
who am i to them
another pedestrian
out of their way
what a concept
cars.
a box we sit in
while a monstor churns
to get us there
via rubber tires.
why do we bother
to get to point B
if we always return
to point A?
i walk over a hill
it doesnt take any effort,
just a little bend in the knee
the hill goes up a little
and curves to the left
winded hair,
frizzed and damp
in morning mist
my breath heavy,
my skin reddened
i'm warm
as i enter
a conditioned room
i could not
turn on the heat
pick up coffee
on the way
and tie my shoes
before i get there.
i make less money.
so i pay less money.
maybe once in a while
just for a new pair of shoes
i carry a burden
lighter than yours.
mine's only a backpack.
yours is pollution.
oil spills.
accidents.
road maintenance.
toll fees.
gas prices.
i dont have the convenience.
i dont have the time.
i dont have the sense of flying
when its 3 am on an empty highway.
you don't have the pride.
you don't feel the wind.
you don't feel your muscles thanking you
when you've settled down.
By Ana Kochero
Steel-Stringed
You're rough with your guitar,
pouring notes into air
like nails from a bucket.
You know what you'll say,
though words stay buried
in ringing feedback.
Your blurring pick destroys
pretense. You flirt
and slide to crescendo,
jamming down fingers
rough as hooves, reflecting
your patient years.
Smooth wood shines
from the neck caressed.
Around you: silence.
What's more important,
you could ask anyone,
than the mossy tune you hum
each day, the one you hammer
and pull off each day,
finding yourself balanced
between these rapt listeners
and yourself, wrapped
tight in blues?
By Ana Kochero
Shoreline
Each night I walk along the curving shore
behind my house, hands eager to grasp
at small, meandering crabs drawn like war
to thoughts of easy food. They softly rasp
the sand, antennae out, prepared to bore
into small worms, who can't even gasp
as death uncoils under their skins, surprised
and then discarded: used, but not despised.
Held from behind, their claws fail, though they try
to attack, with quick serrated scythes dyed
with blood from past meals. I know that hunger -
I know the way my tongue mimics them, scarred
by my need to gorge until filled with flesh.
With shells like Gothic castles under stars
fading by sunrise, they keep weapons meshed
against skin, ready for siege. It is hard
to understand their lives, each step a fresh
start, hunting the gifts of translucent tides
with goals they cannot know, though glad to ride.
Nightly, crabs spread legs dried by winds that linger,
and shudder free of evening's tired fingers.
They plunge into their depth, freer than I am.
How relentlessly high tide comes and goes!
It brought you to me, and sucked at our toes.
Tonight I see your ghostly reflection
carried on the crests. Love is dissection,
the slicing of the heart's inner chambers.
When they dropped, it left you and I strangers.
My sense is that the light of day is not
for wasting. Even now this beach I cross
peels into ebon rind and pulp, its rot
marking the boundary of time, embossed
by kelp tangles. I still dream, body hot
with memories of the roving touch I lost.
Your wings of rope and canvas steer you out,
leaving me in fog, crusted with my doubts.
Tonight, like every other night, is truce:
the day's soft laurel wreath becomes a noose
draped firm around my neck, its fibers twisting.
By Ana Kochero
We Two Cents
I found a small treasure while walking down
a familiar street. Of course I kept it.
This penny's surface was scratched from years of
use: brass gone to green, shade-eye, sunflower
kept ages indoors.
Fortune helps the brave,
you said. I found it that same day we first
tried to kiss. My fingers
clench sweaty fingers, obeying old doubts.
Beneath oxidation glistens
one true face, bright-browed Lincoln,
dignity, worth. Year of my birth.
You came the year after, and twenty-odd
years later, we met. This red purse we share
opened. Together we hoarded pillow-talk.
In my dusty desk, the coin
still jangles, pleading for freedom.
E Pluribus Unum. When spun in place,
pennies land facing the sky.
Our gold is proved by fire, raw hearts smelted
in scent: hay, lavender; spring and autumn
twinned. Proper ante for us. Our bargain is struck.
When tomorrow comes, I hope
we have the grit to pan
for our fortunes, sifting through mud
until we discover the first flash of
a mint-fresh beginning: us,
two keepers of promise, unsullied, bright
as sidewalk change blinking a hopeful eye.
By Ana Kochero
Laugh of Silence
I walked around the corner
where the light in my room shone
upon any wall that laughed with light
and every shadow crying along side of it
That shadow warned me,
and turned into a cold shiver
that ran down my spine
My ears rang in endless screams,
and all I found behind me
was the Laugh of silence.
I cried and shrieked at the presence of nothing
every time I looked back I expected something
my breath was the drum
and only sound
then how come air was all when I turned around?
I paced in my hall to ease the air
my footsteps were distant; someone elseā??s, I hear
I stopped and heard that rhythm again
the same one that followed my footsteps
I started breathing at that same rhythmic pace
only to have found my sweat drops within a race,
down my cheek and on to the floor.
they sizzled as I panicked and shut the door
the screams came back now even louder than before
and the footsteps took charge in the face of war
all silenced in my ears
and I dared to look back.
I wanted to know
and only feared,
to find the laugh of silence.
By Ana Kochero
Why
Every flake on my skin
Isn't worth the feeling that I'm in
What can I do to make it dry ..out
I try to and,
I close my eyes
I wont let it slip,
no the tears wont' cry
They wont,
roll down my cheek
They will,
evaporate
before they get
to my Trembling lips-
they will,
Be sour to taste
But what I hate
Is that I can't figure..
out
What's my pain
compared to yours
Is it worse than mine
And for that I
pray
For only that I
swear
I'll never let
My tears they wont
Never will they cry
They wont,
roll down my cheek
They will,
evaporate
before they get
to my Trembling lips-
they will,
Be sour to taste
But what I hate
Is that I can't figure..out
Why.
By Ana Kochero
Orange Peel
What wakes me some days is the orange peel of the sun, blaring
under my lids, fusing into my nerves and leaves me on a high. The stains on your
wals remind me of rugged Paris, a beauty in shreds, raped by the constant
clawing of the young and the brave. Baby your breathless lips plump up like
morning skies, and the same damn orange peels crawl over your bare skin right
next to mine, the same days that we lose ourselves. And between those screams
baby you whisper; Under your bitter breath you whisper hello, the echo in your
anger kisses my cheek, and suddenly, so easily I learn to forgive, the pressure
is gone and i don't overflow. Your river is mine, under that same old orange
peel of a sun.
By Ana Kochero
Mirage
You don't shimmer like a mirage.
You shimmer like the heat
before a mirage.
Walking through summer
is wading upstream
in carbon fire.
You don't flee to anywhere
describable. The streets
are longer than day or night.
One event leads
to another. Cars pass.
Roads throw reflections
of roads into the air.
The sun collapses
at its zenith,
while you forget
barked shins, wrists
pressed by dark prints.
Is it really six months
since you last smiled
and meant every tooth?
You see the road
as a swamp inverted,
moaning steam
from its pooled oil,
to pierce the glossed sky.
Concrete kisses sand.
The journey is long.
So is your fuse,
soft boiler, keeping time
with injury and a flask,
spiking grit from your eyes
while waiting for your ride
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